Published 25 December 2013
art and entertainment
I look forward to this being a great play in its version 2. Version 1 contains promising seeds.
My take-away from this play, written by Wong Souk Yee and directed by Peter Sau and performed 20-21 December 2013 at the University Cultural Centre, is this: When a state has acquired instruments of non-democratic control, merely changing parties in government is not good enough. It takes a revolution to clean up its act. Continue reading ‘Theatre review: Square Moon’
Here is the film Boy (2008), by Filipino filmmaker Auraeus Solito. It had been selected for inclusion in Singapore’s 2009 International Film Festival but was one of two festival films banned by the Media Development Authority (MDA), the Orwellian-named department of censorship. Do note, it’s 1 hour 19 minutes long.
Continue reading ‘Watch a banned film today’
Published 24 October 2013
art and entertainment
Cycle – rattan/bamboo weave sculpture by Sopheap Pich, exhibited in the Metropolitan Museum of Art, 2013
I love speaking with bright young people. Tonight, a student at Yale-NUS College asked me a question — one that I don’t think anybody else has ever asked me in all my long years. She asked my opinion whether every young person should do art. I’m not sure if she meant art as a subject in school or as a hobby. Doesn’t matter though.
Without hesitation I said Yes. Very much a Yes. Continue reading ‘Knowledge economy? Then value art’
Guest essay by Tania De Rozario
Tania De Rozario. Still from video: Roy Tan
When I was first asked to present my personal thoughts on the “The Future of LGBT and the Arts in Singapore” at IndigNation 9 (August 2013), I was stumped where to start. Both our arts community and queer community are so diverse: At what points do they intersect? What concerns do they share? Is the issue queer artists or queer art? Does the latter even exist?
I’ve been working in the creative industry for just over a decade and yet still do not feel as though I have satisfactory answers to the above questions. So the first thing I did was run the brief by a number queer people across different creative disciplines: “What are your concerns with regard to the future of LGBT art-makers and art-content in Singapore?” Continue reading ‘Re-setting the standard, the Great Work begins.’
The scene in the picture above, taken at City Hall metro station, is not that remarkable now. It might have been so ten years ago, but queuing to board is beginning to catch on. As is standing on the left on escalators.
Social graciousness and civic responsibility are slowly inching forward.
I must admit that for a long time, I have been skeptical that Singaporeans would ever change. Our rude, selfish behaviour seems ingrained in our DNA. With intense competition for scarce resources (e.g. seats on trains), the rational response should surely be to remain pushy. Add to that our deep reluctance to speak up when we see others behave uncivilly, and there is nothing by way of social penalty. Continue reading ‘A bit more graciousness and civic consciousness or just as bad as ever?’
The title of the film left my friends perplexed. “I have no idea what it’s about,” said one. “Is it about transgenders?” ventured another.
“I hope it’s not a celluloid version of a circus freak show,” hazarded a third, with extreme wariness. Continue reading ‘Cinema: Menstrual Man’
“Controversial — that word has been used a lot,” says Kenneth Teng of his friends’ and peers’ somewhat nervous response to news that sexuality would be the theme for this year’s Perspectives Film Festival.
“Another term used was ‘sensitive topic’,” he recalled. Clearly, it is a subject that Singaporeans are uncomfortable with.
It was especially interesting to hear of these responses from Kenneth and Sophial Foo, joint Festival Directors, because both are still students at Nanyang Technological University (NTU). The cohort they are referring to are people roughly their age; young people whose internet-rich environment is filled with tremendous sexual diversity, or so one might have thought. Continue reading ‘Perspectives Film Festival hopes to spark a better discussion of sexuality’
Young filmmaker Boo Junfeng posed two questions to Lawrence Wong, the incoming Minister for Community, Culture and Youth during a phone-in chat last Friday evening (14 September 2010). The minister’s responses don’t inspire much confidence. Continue reading ‘New ministry, old ideas’
In a fictional country that still has detention without trial, one detainee, Sid Fajardo, manages to escape.
[T]he Homeland Security Department attempts to cover up their security faux pas. So when Fajardo’s lawyer, Kristina Allende, comes calling to take instruction from her client about his habeas corpus writ, the deputy director of the department threatens and coerces [another] of his detainees, Borgie Xavier, to stand in for Fajardo. To disguise Borgie as Fajardo, Assistant Superintendent of Police (ASP) Solo injects Borgie with a potent drug such that Borgie breaks out in a disfiguring rash and would therefore be unrecognisable.
— synopsis to Square Moon, a new play by Wong Souk Yee
Allende, the lawyer, at first falls for the ruse, but soon has her suspicions. This leads to her being arrested too. Continue reading ‘Square Moon swallowed by public tax monster’
The above is a segment of a TV production that was broadcast on ChannelNews Asia on Tuesday, 9 July 2012. The “Talking Point” episode was entitled, “Should we promote safe sex along with abstinence?” This segment however is about homosexuality.
The three participants speaking are a curriculum director from the Ministry of Education, a pupil development specialist from a secondary school and a student. It begins with someone calling in with a question.
Coloured boxes contain my comments. Continue reading ‘Roundabout language on homosexuality only sounds suspicious’